Oscar Winners 2016,Oscars 2016, full list of Academy Award nominations

Oscars 2016: full list of Academy Award nominations,Oscar Winners 2016

Oscars 2016: predictions for all 24 Academy Award categories

All the nominations for this year’s Academy Awards, which take place at the Dolby theatre in Hollywood on 28 February

Best picture

The Martian
The Revenant
Bridge of Spies
The Big Short
Mad Max: Fury Road

Saoirse Ronan in Brooklyn.

Best actress

Cate Blanchett, Carol
Brie Larson, Room
Jennifer Lawrence, Joy
Charlotte Rampling, 45 Years
Saoirse Ronan, Brooklyn

Leonardo Di Caprio in The Revenant

Best actor

Matt Damon, The Martian
Leonardo DiCaprio, The Revenant
Michael Fassbender, Steve Jobs
Eddie Redmayne, The Danish Girl
Bryan Cranston, Trumbo

Mad Max: Fury Road

Best director

Adam McKay, The Big Short
George Miller, Mad Max: Fury Road
Alejandro Gonzalez Inarritu, The Revenant
Tom McCarthy, Spotlight
Lenny Abrahamson, Room

Inside Out.

Best original screenplay

Bridge of Spies – Matt Charman, Ethan Coen and Joel Coen
Ex Machina – Alex Garland
Inside Out – Pete Docter, Meg LeFauve, Josh Cooley. Original story by Pete Docter and Ronnie del Carmen
Spotlight – Tom McCarthy and Josh Singer
Straight Outta Compton – Jonathan Herman and Andrea Berloff. Original story by S Leigh Savidge, Alan Wenkus and Andrea Berloff

The Hateful Eight
The Hateful Eight. Photograph: Allstar/The Weinstein Company

Best original score

Bridge of Spies – Thomas Newman
Carol – Carter Burwell
The Hateful Eight – Ennio Morricone
Sicario – Jóhann Jóhannsson

Star Wars: The Force Awakens – John Williams

Room. Photograph: Uncredited/AP

Best adapted screenplay

The Big Short – Charles Randolph and Adam McKay
The Martian – Drew Goddard
Room – Emma Donoghue
Brooklyn – Nick Hornby
Carol – Phyllis Nagy

The Danish Girl.
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Best production design

Bridge of Spies – Adam Stockhausen, Rena DeAngelo and Bernard Henrich
The Danish Girl – Eve Stewart and Michael Standish
Mad Max: Fury Road – Colin Gibson and Lisa Thompson
The Martian – Arthur Max and Celia Bobak
The Revenant – Jack Fisk and Hamish Purdy

Best supporting actress

Alicia Vikander, The Danish Girl
Jennifer Jason Leigh, The Hateful Eight
Rachel McAdams, Spotlight
Rooney Mara, Carol
Kate Winslet, Steve Jobs

Best supporting actor

Christian Bale, The Big Short
Tom Hardy, The Revenant
Mark Ruffalo, Spotlight
Mark Rylance, Bridge of Spies
Sylvester Stallone, Creed

Carol. Photograph: Alamy

Best costume design

Carol – Sandy Powell
Cinderella – Sandy Powell
The Danish Girl – Paco Delgado
Mad Max: Fury Road – Jenny Beavan
The Revenant – Jacqueline West

Best original song

Earned It, Fifty Shades of Grey
Manta Ray, Racing Extinction
Simple Song #3, Youth
Til It Happens To You, The Hunting Ground
Writing’s on the Wall, Spectre

Best animated film

Boy and the World
Inside Out
Shaun the Sheep Movie
When Marnie Was There

Amy. Photograph: Allstar Picture Library

Best documentary

Cartel Land
The Look of Silence
What Happened, Miss Simone?
Winter on Fire: Ukraine’s Fight for Freedom

Best cinematography

Carol – Ed Lachman
The Hateful Eight – Robert Richardson
Mad Max: Fury Road – John Seale
The Revenant – Emmanuel Lubezki
Sicario – Roger Deakins

Best animated short

Bear Story
Sanjay’s Super Team
We Can’t Leave Without Cosmos
World of Tomorrow

Best make-up and hair

Mad Max: Fury Road – Lesley Vanderwalt, Elka Wardega and Damien Martin
The 100-Year Old Man Who Climbed Out a Window and Disappeared – Love Larson and Eva von Bahr
The Revenant – Sian Grigg, Duncan Jarman and Robert Pandini

Ex Machina
Ex Machina Photograph: Rex

Best visual effects

Ex Machina – Andrew Whitehurst, Paul Norris, Mark Ardington and Sara Bennett
Mad Max: Fury Road – Andrew Jackson, Tom Wood, Dan Oliver and Andy Williams
The Martian – Richard Stammers, Anders Langlands, Chris Lawrence and Steven Warner
The Revenant – Rich McBride, Matthew Shumway, Jason Smith and Cameron Waldbauer
Star Wars: The Force Awakens – Roger Guyett, Patrick Tubach, Neal Scanlan and Chris Corbould

Best sound editing

Mad Max: Fury Road – Mark Mangini and David White
The Martian – Oliver Tarney
The Revenant – Martin Hernandez and Lon Bender
Sicario – Alan Robert Murray
Star Wars: The Force Awakens – Matthew Wood and David Acord

Best short film

Ave Maria
Day One
Everything Will Be Okay

Best sound mixing

Bridge of Spies – Andy Nelson, Gary Rydstrom and Drew Kunin
Mad Max: Fury Road – Chris Jenkins, Gregg Rudloff and Ben Osmo
The Martian – Paul Massey, Mark Taylor and Mac Ruth
The Revenant – Jon Taylor, Frank A. Montaño, Randy Thom and Chris Duesterdiek

Star Wars: The Force Awakens – Andy Nelson, Christopher Scarabosio and Stuart Wilson

Best short documentary

Body Team 12
Chau, beyond the Lines
Claude Lanzmann: Spectres of the Shoah
A Girl in the River: The Price of Forgiveness
Last Day of Freedom

Spotlight. Photograph: Kerry Hayes/AP

Best editing

The Big Short – Hank Corwin
Mad Max: Fury Road – Margeret Sixel
The Revenant – Stephen Mirrione
Spotlight – Tom McArdle
Star Wars: The Force Awakens – Maryann Brandon and Mary Jo Markey

Best foreign language film

Embrace of the Serpent
Son of Saul
A War


  • The Big Short
  • Bridge of Spies
  • Brooklyn
  • Mad Max: Fury Road
  • The Martian
  • The Revenant
  • Room
  • Spotlight

Only three of the eight nominees in this category have a real shot at winning: The Big Short, The Revenant, and Spotlight. Let’s take a look at the case for each.

The Big Short: The strongest possible argument that you can make in favor of The Big Short is that it won the Producers Guild of America award, one of the three most telling pre-Oscar industry prizes. (The other two went to the other two nominees we’re discussing right now.) The PGA has predicted the Oscar Best Picture winner every year since 2010.

What’s significant about 2010? That was the year when both the PGA and the Academy switched to a preferential ballot (read more about what that means right here). In contrast, many other awards use a simple plurality vote. And while The Big Short may not be a lot of voters’ top choice, it’s probably a lot of people’s second or third choice. On a preferential ballot, that’s a good position to be in.

Also working in The Big Short‘s favor are the fact that it tells a historically significant story (the movie is about the 2008 financial collapse) and the fact that it’s basically Bernie Sanders’s presidential campaign in movie form.

The Revenant: The Revenant also won an industry prize that tends to predict the Oscars: the Directors Guild of America award, for its director, Alejandro G. Iñárritu. That’s in addition to winning the Golden Globe for Best Drama (not so telling) and the British Academy’s Best Picture prize (often telling).

The movie has also been a huge, huge hit at the box office — especially for what is essentially an oft-silent art film — and it has the most storied production of any of the Best Picture nominees; tales of how hard it was to make have reverberated throughout Hollywood all winter long. It has 12 total nominations, the most of any film, and its studio, Fox, has won the last two Best Picture prizes.

Working against The Revenant is the fact that just last year, Iñárritu won both the Best Picture trophy and the Best Director trophy for Birdman. A few people have won Best Director two years in a row, but no one’s ever won both two years in a row. Plus, the film is hugely divisive. It’s a lot of people’s number one choice — but how many second- and third-place votes will it get?

Spotlight: Spotlight won the “best ensemble” prize from the Screen Actors Guild. Since actors make up the largest subset of the Academy, the film’s SAG win indicates that it could be very popular with that very influential voting bloc. And Spotlight‘s attempt to create a narrative around itself — suggesting that a vote for the movie is a vote against systemic corruption in all its forms — has been fitfully successful but much stronger than the campaigns of either of its two competitors.

Spotlight has the lowest box-office total of the three, however, and its SAG prize is its only major win. Meanwhile, its distributor, Open Road Films, is playing this game for the first time, unlike Fox and Paramount (the distributors of The Revenant and The Big Short, respectively).

All things considered, I think that preferential ballot will be the dealbreaker.

Win: The Big Short

Place: The Revenant

Show: Spotlight

Should win: If you handed me a Best Picture ballot, I would vote for the wild, visionaryMad Max: Fury Road in a heartbeat.


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